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Gosford Park: Thriller/Historienfilm/Kostümfilm von Robert Altman/Bob Balaban mit Maggie Smith/Helen Mirren/Dame Eileen Atkins. Gosford Park ist ein Spielfilm des US-amerikanischen Regisseurs Robert Altman aus dem Jahr Der klassisch inszenierte Whodunit basiert auf dem. Gosford Park Trailer. Gosford Park ein Film von Robert Altman mit Maggie Smith, Kelly Macdonald, Michael Gambon. Altman hat im Herbst seiner Karriere nichts von dieser Schärfe und seinem glasklaren Blick verloren. Die ganze Kritik lesen · Trailer. Gosford Park Trailer OV 0. Gosford Park - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | arowanazoo.se
Gosford Park Trailer. Gosford Park ein Film von Robert Altman mit Maggie Smith, Kelly Macdonald, Michael Gambon. Altman hat im Herbst seiner Karriere nichts von dieser Schärfe und seinem glasklaren Blick verloren. Die ganze Kritik lesen · Trailer. Gosford Park Trailer OV 0. lädt Sir William McCordle zu einem Jagd-Wochende auf seinen englischen Landsitz ein. So treffen schon bald einige Vertreter des Adels.
Gosford Park Trailer Deutsch VideoMansfield Park (1999) Official Trailer - Frances O'Connor, Jonny Lee Miller Movie HD
Joanna Maude as Renee, Louisa's Maid. Adrian Scarborough as Barnes, Anthony's Valet. Frances Low as Sarah, Lavinia's Maid. John Atterbury as Merriman, Constance's Chaffeur.
Frank Thornton as Burkett, Constance's Butler. Ron Webster as Constable Dexter. John Cox as Loader.
Ken Davies as Loader. Tony Davies as Loader. Steve Markham as Loader. Terry Sturmey as Loader. Julian Such as Loader. Alan Bland as beater.
Peter Champion as beater. Geoff Double as beater. Robin Devereux as beater. Richard Gamble as beater. Brian Rumsey as beater.
Pip the Dog as Widget. September 29, Full Review…. June 24, Full Review…. March 22, Full Review….
September 20, Full Review…. December 6, Full Review…. January 27, Full Review…. October 17, Full Review…. View All Critic Reviews Oct 25, I'm sorry, I know that this is supposed to be a critically acclaimed film, but I just can't see what all the hype is.
There's nothing really noteworthy about this aside from the fact that it's got a great cast. And honestly? This has to be the most boring film I've ever seen.
I mean holy shit this is a snoozefest. Stephen S Super Reviewer. May 10, Directors C Super Reviewer. Sep 26, Openly the launching point for the PBS series "Downton Abbey", Maggie Smith stars in both incarnations with a subtly and humor that is unmatched throughout the film.
With a huge ensemble cast, with several noticeable performances, like that of Kelly Macdonald before her starring role on "Boardwalk Empire", she takes on an almost leading role, becoming the center of the mystery that surrounds the film.
Director Robert Altman follows the wealthy man murder mystery story-line with precision, taking over the first half of the film to introduce all the players and their possible motives, exonerating several of the characters immediately and playing with expectations and assumptions based on the evidence, complete with the bumbling, ignorant detective.
Relying slightly too heavily on the dramatic interest in these characters and not delivering the mystery sooner, the revelations come too quickly and suspense is never really allowed to build.
Besides some standout performances, "Gosford Park" leaves no real lasting impression and becomes a dance of all the characters juggling for screen time.
Christopher H Super Reviewer. Jul 21, In what can be described as Clue meets Downton Abbey, director Robert Altman manages to weave a large and talented ensemble cast through a complex plot, doing so while keeping a cohesive narrative.
The result is something quite notable, a smart drama that has richly defined characters, with a witty sense of humor and acute social commentary.
Gosford Park is, above all, a highly skilled period piece. Everything from the dialogue, personalities, and set-design perfectly embodies early s England.
The class system depicted, right on the precipice of massive change, is keenly observed, with the antiquated air of British aristocracy still being ever so slightly kept alive.
The script of Gosford Park takes a large cast, and sets them within a mystery that has so many different facets, one never knows what will happen.
It does this while creating very subtle relationships and inter-dynamics between the characters, we get a very broad view of the issues going on.
This creates a film that is fascinating to watch just for its very essence, not just in service of the plot. Each performance is excellent, with the sense of intrigue being kept alive in every scene.
The Altman's direction further showcases his great talents. The way he structures the scenes and frames the shots, everything is done to great effect and after obvious thought.
The film is nearly entirely dialogue driven, yet never boring, and lengthy at almost 2. Overall Gosford Park is a quite intriguing period piece, filled with great performances, smart writing, and intelligent humor.
Jeffrey M Super Reviewer. See all Audience reviews. Raymond Lord Stockbridge: Would you stop sniveling! Anyone would think you're Italian.
Constance Countess of Trentham: what was funny? Constance Countess of Trentham: What was funny? Henry Denton: You Brits really don't have a sense of humor do you?
Elsie: We do if something's funny, sir. View All Quotes. Video Game Movies Ranked. Best Netflix Series and Shows. Go back. More trailers.
Gordon Ramsay: Uncharted. Saturday Night Live. Mabel Nesbitt Laurence Fox Rupert Standish Trent Ford Jeremy Blond Ryan Phillippe Learn more More Like This.
Short Cuts Comedy Drama. The day-to-day lives of several suburban Los Angeles residents. The Player Comedy Crime Drama. Nashville Comedy Drama Music.
MASH Comedy Drama War. Drama Mystery Thriller. In the Bedroom Crime Drama. A Prairie Home Companion Miller Drama Western.
Clue Comedy Crime Mystery. Murder by Death The Long Goodbye A Room with a View Drama Romance. Edit Storyline Set in the s, the story takes place in an old-fashioned English country house where a weekend shooting party is underway.
Taglines: Tea At Four. Dinner At Eight. Murder At Midnight. Edit Did You Know? Trivia In an attempt to keep the dialogue in scenes feeling more natural, producer and director Robert Altman read the script as little as possible so he wouldn't know the characters' lines.
He relied heavily on script supervisors to ensure that all the important beats in scenes were met, consulting with them after each take.
Although Novello humors her by agreeing, the film wasn't a flop. This was done to convey that Trenthem and the other aristocrats are not movie-goers seeing as how she initially mispronounced it as, "The Dodger".
Quotes Lord Stockbridge : [ to Commander Meredith ] When a man's as short as you are, it must be difficult to gauge the height of the birds.
Crazy Credits At the end of the credits it says that the real Ivor Novello never took part in the fictional events portrayed in the film.
User Reviews The mystery aspect slows the pace but the film is best during the class tension and interrelationships 2 May by bob the moo — See all my reviews.
Was this review helpful to you? Yes No Report this. Frequently Asked Questions Q: Who is who? Q: Was Ivor Novello a real person?
Q: How could "The Americans" not know how the breakfast was served on the third day? Language: English. He called it a blend between this literary style and that of the 19th century novel.
Themes from the film were picked up and integrated into the series Downton Abbey by Julian Fellowes. Maggie Smith starred again in her role as a dowager countess, this time her title not being Trentham but Grantham ; the family are related to the Marquess rather than the Earl of Flintshire.
In , Bob Balaban asked Robert Altman if there were something they could develop together, and Altman suggested a whodunit.
The original title of the film was The Other Side of the Tapestry, but Altman thought it was awkward. Fellowes began looking through some books and came up with Gosford Park.
But when you make a picture using a name, that's its name. It's not a gripping title. But then MASH wasn't either.
Fellowes says the screenplay was "not an homage to Agatha Christie , but a reworking of that genre. He notes that in certain large scenes with many characters, the actors were left room to improvise.
Arthur Inch, the retired butler of Sir Richard and Lady Kleinwort , was the consultant on correct procedures and arrangements for dining on the set.
Inch is credited as "Butler" immediately before Altman as Director in the final credits. Ruth Mott was the consultant for the kitchen,  and Violet Liddle for the parlour maids.
In Gosford Park , as in many of his other films, Altman had a list of actors he intended to appear in the film before it was cast formally.
The film's casting director was Mary Selway , whom producer David Levy described as knowing many British actors.
Jude Law dropped out of the production just before the shoot began, and he was replaced by Ryan Phillippe. Kenneth Branagh and Robert Bathurst were both tied down by scheduling conflicts.
Filming was conducted at Wrotham Park for the exteriors, staircase, dining room and drawing room,  and Syon House for the upstairs bedrooms.
Sound stages were built to film the scenes of the manor's downstairs area. The film was shot with two cameras, both moving perpetually in opposite directions.
The cameras pointed toward no specific area, intended to cause the audience to move their eyes throughout the scene. Altman notes that most of the film's cast had experience in theatre and in film, meaning they had acted in situations where the view of the audience is not on one specific actor, and each audience member sees a slightly different image of the players on stage.
Grant commented that having two cameras moving at any one time meant that none of the actors knew when the cameras were focused on them.
As a result the actors had to stay "completely in character, completely in the moment, and interact with everybody in a way that felt as close to real life as you could possibly conjure up.
He shot the film on Kodak Vision Expression T film stock generally with two Panavision cameras, using lighting ranging from relatively dim candles to bright hydrargyrum medium-arc iodide lamps.
Roger Ebert awarded it his highest rating of four stars, describing the story as "such a joyous and audacious achievement it deserves comparison with his [Robert Altman's] very best movies.
He described one of its themes as "illuminating a society and a way of life on the verge of extinction",  placing the interwar setting as an integral part of the film's class study.
However, he notes that because Altman is an independent observer of the society he portrays in the film, it does not have the biting qualities of his previous social commentaries such as Short Cuts , set in the director's home country of the United States.
Gosford Park ' s cinematography was a focus of several critics. CNN 's Paul Clinton praised Andrew Dunn's camera work, describing it as "lush and rich; the camera glides up and down the stairs of the grand estate, the period look is beautifully crafted.
Gosford Park was nominated for 61 different awards following its release, winning 25 of them. The critic Ed Gonzalez reviewed the DVD negatively, calling the picture quality "atrocious on the small screen", going on to say that "the image quality of this video transfer is downright lousy from start to finish.
Gonzalez wrote that " Gosford Park sounds amazing for a film so dialogue-dependent"  and Mack that "the audio transfer is about as good as it can get on a movie of this style.
Patrick Doyle composed the film's score. From Wikipedia, the free encyclopedia. Not to be confused with Gosforth Park. Theatrical release poster.
Main article: List of accolades received by Gosford Park. Main article: Gosford Park soundtrack.
Box Office Mojo. Internet Movie Database. Retrieved 7 August BBC News. USA Films. The New York Times.
Retrieved 26 April Archived from the original on 14 May Gerald Peary. Retrieved 9 August BBC Dorset.
The New York Times Company. Retrieved 10 August The Daily Telegraph. Retrieved 8 June The Independent.
Architectural Digest. January
Gosford Park Trailer Deutsch Gosford Park TrailerFlorida Film Critics Circle Award. Sie fikkefuchs stream Schuhe, ich fertige Handschuhe. Claudie Blakley. Eine junge Frau wurde nach go here Diskobesuch entführt. Leben im falschen Körper: Worunter Transsexuelle leiden — und woher sie Mut nehmen. Ein Partner von. Dieser Artikel oder nachfolgende Abschnitt ist nicht hinreichend mit Belegen beispielsweise Einzelnachweisen ausgestattet. Andererseits hätte nur ein wirklicher Könner wie er so einen Film machen können. Die Https://arowanazoo.se/german-stream-filme/donvt-be-afraid-of-the-dark.php aber verlaufen im Sand. Gosford Lea martini Filminfos im TV. Während die noblen Herrschaften ihren Vergnügungen nachgehen, müssen sich die mitgereisten Diener unter den alteingesessenen Bediensteten des Anwesens behaupten. Die EisbombeDeutschland. Wie ein bissiger Klatschreporter mit Herz jagt er unermüdlich vom Souterrain hinauf zum Dachboden und zurück — und schnappt Dinge auf, die belegen: Oben und unten sind keineswegs strikt getrennt, sondern fatal miteinander verwoben. Sein vor visueller Kraft überstrotzendes Opus handelt vordergründig von einem Mord an einem reichen Adeligen, entpuppt sich dann jedoch als ebenso spöttisches visit web page verspieltes Sittengemälde einer im Untergang befindlichen Visit web page. Sindacato Nazionale Giornalisti Cinematografici Italiani. Spiel mir das Lied vom Tod. Eigentlich passiert fast nichts. Maggie Shyamalan. Australian Film Institute. Wo kann man diesen Film schauen? Richard E. Trotzdem erwartet alle ein ruheloses Wochenende, an dem geklatscht, intrigiert und gevögelt wird, bis der Inspektor kommt. Diese war damit jedoch nicht einverstanden, was das Verhältnis zwischen den beiden Schwestern deutlich verschlechterte. Der hinzugerufene Click to see more Thompson aber stellt please click for source, trotz der wertvollen Hinweise seines tüchtigen Constable Dexter, eher tollpatschig an. Florida Film Critics Circle Award. Während die feinen Leute sich in den Salons gepflegt langweilen, schuften im Keller die Dienstboten. Beide Gruppen trennen scheinbar Welten. Filmkomponist des Jahres Patrick Doyle. arowanazoo.se - Kaufen Sie Gosford Park günstig ein. von Robert Altman und Oscar-Preisträger Julian Fellowes; Deleted Scenes; Making Of; Interviews mit Cast & Crew; Original Kino-Trailer; Übersetzen Sie alle Bewertungen auf Deutsch. lädt Sir William McCordle zu einem Jagd-Wochende auf seinen englischen Landsitz ein. So treffen schon bald einige Vertreter des Adels. Fellowes says the screenplay was "not an homage to Agatha Christiebut a reworking of that genre. Parks does not know nor care if he killed Sir William, and says a son can hate his father. Language: English. See score details. When the Police announce that the victim died of poisoning and was only stabbed after he was dead, there is yet another mystery to solve. Murder At Midnight. What makes the movie miraculous is Altman's gaze. Natasha Wightman as Lavinia Meredith. A Hollywood studio executive is being sent death threats by a writer whose script he rejected, but which one? A riotously fun take on the murder mystery genre, and jessica paszka bachelorette finest of here director's late period works.
Weissman" at their table--where, by the way, servants are seated according to the ranks of their employers.
It has been said that the most enjoyable lifestyle in history was British country house life in the years between the wars. That is true for some of the people upstairs in this movie, less true of most of those downstairs.
Altman observes exceptions: Some of the aristocrats, like Lady Constance, are threatened with financial ruin, and others, like Novello, have to sing for their supper; while below stairs, a man like Jennings is obviously supremely happy to head the staff of a great house.
And as Mrs. Wilson the housekeeper says of herself,"I am the perfect servant. I have no life. That's what happens here, when one of the characters is poisoned and then stabbed, suggesting there are two murderers to be apprehended by Inspector Thompson Stephen Fry.
Half of those in the house have a motive for the murder, but the investigation isn't the point, and Altman has fun by letting Thompson and his assistant Constable Dexter Ron Webster mirror the relative competence of the upper and lower classes in the house.
Thompson, like the aristocrats, sets great store by his title and dress he puffs a pipe that will be recognized by anyone who knows the name Monsieur Hulot.
Dexter, like the servants, just gets on with it, doggedly pointing out clues footprints, fingerprints on a tea cup, a secret door that Thompson ignores.
This is like an invitation for scene-stealing, and Maggie Smith effortlessly places first, with brittle comments that cut straight to the quick.
When Novello entertains after dinner with one song, and then another, and then another, and shows no sign of stopping, Smith crisply asks, "Do you think he'll be as long as he usually is?
Note the way that when Mr. Weissman introduces himself, Lady Sylvia asks him to repeat his name, and then she repeats it herself.
Just that, but she is subtly underlining his ethnicity. And the way Constance puts Novello in his place by mentioning his most recent film and observing, ostensibly with sympathy, "It must be rather disappointing when something flops like that.
Like guests at a big party, we are confused when we first arrive: Who are all these people? By the end, we know. And let everyone work at this high level?
It makes you think: "What shallow, oblivious, casually destructive people. How fitting that such a world proved unsustainable. How comforting a world in which everyone knew his or her place.
And kept the action in perfect focus? And made it all so damned entertaining? It's time to own up to my convictions: I await a new movie by Altman as I would a new ballet by Balanchine, a new symphony by Mahler, a new novel by Dickens.
There is no modern director whose frames are so uninsistently alive and whose sympathies are so gracefully distributed. It wasn't always this way.
It's possible that his mocking instincts will get the better of him, again: He's a volatile fellow. The upshot isn't neutrality—Altman is never neutral.
It's lively curiosity—a kind of buoyant raptness. If nothing else, he doesn't know what these people will do or say next.
He's always poised for delight. So are we, from the first rainy frames, in which Mary Macreachran Kelly MacDonald , the new lady's maid of the Countess of Trentham Maggie Smith , is drenched for the sake of helping her employer open a flask.
They're on their way to a hunting party at the manor of old Sir William McCordle Michael Gambon and his sleek, insouciant wife, Lady Sylvia Kristin Scott Thomas ; it's more or less through Mary's eyes that we're introduced to this orderly but tremulous universe.
The way Altman cuts between the upstairs and the downstairs—keeping his chattering classes in constant motion—is meant to disorient. It's all indirection, sometimes mischievous misdirection: You have to work to get your bearings, map out the relationships, separate the salient from the inconsequential—all while Altman and screenwriter Julian Fellowes are winking at you with sundry motives for murder, red herrings, and pointed shots of knives and poison bottles.
Upstairs among the lords, ladies, countesses, and honorable muck-a-mucks are lassitude, ennui, and a surprising amount of financial anxiety Those Suez schemes didn't always pan out.
Downstairs, where the visiting servants are addressed by the names of their employers by the butler Alan Bates , head housekeeper Helen Mirren , and head cook Eileen Atkins , a different kind of social order reigns.
The boundaries are fixed but porous: The most loving relationship in the film might be between Sir William and his mistress, the head housemaid Emily Watson , and Lady Sylvia fixes a visiting valet Ryan Phillippe with unembarrassed lust.
Everything is in motion: Up and down corridors the characters go, past doors that open a crack or close abruptly, past clockwork chores or furtive, half-glimpsed trysts.
And while Altman and Fellowes are setting us up for a murder, a visiting Hollywood producer Bob Balaban is plotting his Charlie-Chan-in-London mystery by transcontinental telephone, breathlessly reporting that there's one butler but many valets and maids, that servants actually have tasks to perform, that there's all kinds of things that Hollywood mysteries don't show.
The exhilaration is slow to build. It doesn't come from any one thing but from countless crosscurrents, tiny bits of color that fill out the portrait: a fleeting subversive smirk of first footman Richard E.
Grant; the Hollywood dreams of second footman Jeremy Swift; the moist, lap-dog attentiveness of Gambon's valet, Derek Jacobi; the stiff, saturnine inebriated?
Slinky, enigmatic visiting valet Clive Owen gives off sinister vibes, like a romantic Boris Karloff.
While the matinee idol Ivor Novello Jeremy Northam plays and sings for the guests and the discreetly star-struck servants , Smith's countess bemoans his vulgarity: Does she resent him for being a showman or because he's gay something only hinted at here?
She's an awful snob, yet the great actress suggests something frightened and vulnerable beneath her ostentatious sense of entitlement.
I could go hoarse singing the praises of this cast, of MacDonald's plaintive befuddlement and Watson's heartbreaking but so sexy mixture of jadedness and hope.
I wanted even more of the lovely Camilla Rutherford as Sir William's discombobulated daughter; of Claudie Blakley as the plain, mistreated wife of a debt-ridden hanger-on James Wilby ; of Atkins' sour and cryptic head cook, whose anti-pathetic relationship with Mirren's Mrs.
Wilson is the key downstairs subtext. Mirren has won—and will win—all kinds of awards for this role, for the very good reason that her wrenching final scene makes sense of every disapproving glance and tight inflection that has preceded it.
No superlatives of mine can do her justice: You must see this performance. You say Gosford Park isn't much of a whodunnit? That at this late date we hardly need any more smug lefty reminders of the cruelty of the class system?
That this is all such Merchant-Ivory territory? Yes to the above, but Gosford Park transcends these objections and more.
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How did you buy your ticket? View All Photos Movie Info. Maverick American filmmaker Robert Altman takes a witty and absorbing look at the foibles of the British class system in this intelligent murder mystery set in the early '30s.
Sir William McCordle Michael Gambon and his wife Lady Sylvia Kristin Scott Thomas are a pair of wealthy British socialites who have invited a variety of friends, relatives, and acquaintances to their mansion in the country for a weekend of hunting and relaxation.
Among the honored guests are Constance Maggie Smith , Lady Sylvia's matronly aunt; Ivor Novello Jeremy Northam , William's cousin who is also a well-known actor and songwriter; and Morris Weissman Bob Balaban , an American film producer who is friendly with Ivor and researching an upcoming project.
Observing the proceedings are the domestic staff of the mansion, including imperious butler Jennings Alan Bates ; footmen George Richard E.
Wilson Helen Mirren ; Mrs. While the servants are required to display a high level of decorum, they are expected to be passive observers who do not comment on what they see, though the gossip among them travels thick and fast once they retire to the servants' quarters downstairs.
And it turns out that there's plenty worth gossiping about, especially after Sir William turns up dead, and everyone is ordered to stay at the mansion while the police investigate the killing.
Robert Altman. Julian Fellowes , James Fellowes. Jun 25, Maggie Smith as Constance, Countess of Trentham. Helen Mirren as Mrs.
Eileen Atkins as Mrs. Kelly Macdonald as Mary Maceachran. Bob Balaban as Morris Weissman. Alan Bates as Jennings.
Richard E. Grant as George. Jeremy Northam as Ivor Novello. Emily Watson as Elsie. Derek Jacobi as Probert.
Camilla Rutherford as Isobel McCordle. Geraldine Somerville as Louisa Stockbridge. Charles Dance as Raymond Stockbridge. Stephen Fry as Insp.
Ryan Phillippe as Henry Denton. Tom Hollander as Anthony Meredith. Clive Owen as Robert Parks. Natasha Wightman as Lavinia Meredith. James Wilby as The Hon.
Freddie Nesbitt. Claudie Blakley as Mabel Nesbitt. Laurence Fox as Lord Rupert Standish. Trent Ford as Jeremy Blond.
Jeremy Swift as Arthur, Second Footman. Megan Owen as Lewis. George Sherman as beater. John Fountain as beater.
Finty Williams as Janet, Housemaid. Emma Buckley as May, Housemaid. Laura Harling as Ethel, Scullery Maid.
Tilly Gerrard as Maud, Scullery Maid. Gregor Henderson-Begg as Fred, Bootboy. Leo Bill as Jim, Oddjob Man.Mrs Croft, her sister, comforts her, saying it only matters that he is alive, while her own son, also fathered by Sir William, died click here infancy. Read article Eileen Atkins as Mrs. İzlenecek filmler. The American filmmaker, Robert Altman, takes a witty and absorbing look https://arowanazoo.se/filme-stream-hd/1000-ways-to-die.php the foibles of the British class system in this intelligent murder mystery set in the early '30s. Meanwhile, Rupert Standish, wanting a wealthy wife, courts Isobel.
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